Author name: Kristen Brochmann

45 years of experience as a studio and location photographer spanning film camera up to 8x10 and the new digital age. Have worked for business to business and retail catalogs, books, magazines, including NY Times and Newsweek. Since 2008 until 2019 staff photographer at Christie's New York. Now semi-retired, still working at Christie's and traveling with my wife Rosy.

Creation 1st Day

Ori Sherman at the Magnes Jewish Museum

In Twilight: Ori Sherman’s Creation 1986 — 1988

Ori Sherman was an artist and illustrator in San Francisco. He left the security of a job creating frames at a high end department store and started lettering and painting Jewish marriage contracts. Later he started to publish children’s books about Jewish holidays and texts. One of the last series he worked on while he was dying of AIDS was a series illustrating the creation as told in the first chapter of Genesis. The paintings were later bought by a collector who eventually donated them to the Magnes Jewish Museum in Berkeley, Ca.

The opening of a show of these paintings was on October 20, 2022. Richard Schwarzenberger, an old friend from our Kansas days, and Ori’s partner, gave a talk about Ori and the making of these images. The paintings were made over two years, 1986-88 and were published with text for children by Robert Alter in 1990. During the creation of these works, Ori was very sick, but whenever he felt well enough to work, he did so, even if it were the middle of the night. I knew Ori through Richard. He was very funny and kind and I have fond memories of hanging out with them both.

The paintings are a visual Torah. The flatness of the perspective and the rich colors hark back to illuminated manuscripts of pervious centuries, but the playful flora, fauna, fantastical beasts, angels and the cosmos give the images a very modern feel.

Ori Sherman was born in Jerusalem, 1934 and died in San Francisco, 1988.

Here is the link to most of the images and their verses in Genesis on my web site. And I hope you enjoy them. Scroll down the page to see the gallery.

California 2022

 

 

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Sky line from the Sheep Meadow

Announcing Greeting Cards of Central Park

https://brochmann.com/central-park-cards/

I have created a series of greeting cards showing the seasons of Central Park and the link is above. I started the project during the pandemic lock down starting in March 2020. I was stuck in our small apartment with no house in the Hamptons or Hudson Valley for an escape. But we had Central Park just a short walk and even shorter bike ride away.
And what a great resource it is. I spent many hours on my bike or on long walks with Rosy. I, of course, brought my camera. As the seasons transitioned from one to another I thought of making a series of photos that show the changes.

I have made the series into greeting cards sets, four per season, sixteen in total. The cards are folded with a image on the front, a description on the back and blank on the inside for a note. They are printed by me on Red River 60 lb. glossy paper, 7 x 10 inches on a Canon Pixma Pro 200 printer and each comes with an envelope.
The cost is $20.00 for a season, four to a season. The money goes to defray to cost of the ink, paper and postage. The rest will be donated to the Central Park Conservancy for the park and donated to the Parks Department to be used for parks outside of the rich neighborhoods of Manhattan.
If anyone is interested they can contact me at my email address. I take Pay Pal and Venmo.

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elm trees in Central Pard

The Elms of Central Park

The elm trees in Central Park have a special meaning for me. In ranks of four or five they go from near the band shelter, past the new statue of the pioneers of women’s rights, the statues of poets and Shakespeare. A wide walkway goes down the center. Merchants sell art on canvas and metal, buskers sing, but mostly people stroll. The majestic height of the canopy filters out the harshest sun and mutes any noise from the metropolis just a few blocks away.
I love that these trees still exist and I understand the care and diligence that makes their presence possible.
In our yard there were five elm trees. Two in the front yard joined the elms of our neighbors to make a cathedral like arch over the street that extended over most streets in our little town of 3,800. In the back yard the elms served as handers for the clotheslines. Their canopy was high enough that home run derbies with whiffle balls and plastic bats seldom interfered. Next door our neighbor had the remnants of a well left over from the days when this had been a pasture. Over looking the well was a giant elm. Its trunk was twice the thickness of any nearby tree. Its canopy was enormous, leaning over all the adjacent yards.
The trees gave shade in the hot Kansas summer. We sat on the porch swing in the afternoons in the coolness they provided as the day turned into evening and the fireflies came out.
I was ten or twelve when we took a car trip to New York, and as we came through the midwest, we noticed that the elms trees were dying. Whole parts of tress had brown shriveled leaves and there were crews of men crawling around tress bringing them down branch by branch. Whole towns and neighborhoods were bare of trees. The houses, stripped of the sheltering gothic arches, looked forlorn, poor and shabby.
We were seeing the effects of Dutch elm disease, killing every elm tree in its path. Within one or two years the blight came for our trees. The majestic tree by the well was first followed by the rest. Itinerant tree crews set up in town and started the process of cutting down every blighted tree in town. By the end of fall the crews were gone and so were all the elm trees.
Now our little town looked all the other towns we had seen on our trip. Without the elms we were naked under the beating sun of summer and exposed to the cold blasts from the north in winter As I was coming into adolescence I realized that my town was poor and run down, a backwater that I would leave as soon as possible.
I am grateful that I can see these majestic giants with their corkscrew limbs climbing to great heights above me as I stroll down the path. The last of their kind perhaps but loved more for it.

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Lawn going down to the sea

Orange County in June

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A gallery of images from Orange County, specifically around Laguna Niguel is now up on the site. Rosy and I had a great time visiting our friend and relaxing in the coolness of the area. We were expecting very warm weather, but we got lots of fog in the morning and cool temperatures. By the coast the fog stayed around until the afternoon, looking like low clouds. We did have some sunny days, but they never got too hot.
The west coast has experienced some horrific conditions this summer—drought, fires, heat waves and other biblical plagues, but we had a very pleasant stay. The coolness was a break from the heat in New York and the water and beaches were beautiful to see.
Here is the link to the gallery

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Everything is Bigger in Texas

I am still amazed at the size of grocery stores in the heartland. Back in the day, say the eighties, stores were cramped and dirty: one cart wide aisles, little selection, lousy greens and dingy floors. There are now bigger stores, Whole Foods and Trader Joe’s have made beach heads with large stores. Still, the spaciousness of the floors with so much room around the displays is still a shock.

In coming posts I will write about the rest of our trip to California. See the gallery of images from Texas here.

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San Antonio, Texas 2021

River Walk, San Antonio
Evening on River Walk

To paraphrase Melville:

When we find ourselves growing grim about the mouth; whenever it is a damp and drizzly November of the soul; and when it requires a strong moral principle not to knock off people’s hats then—instead of signing up for a three year’s whaling voyage to the other side of the world—we headed out of town for a much more modest length of time and distance. This is our way of driving off the hypos after 18 months of being in the same few square blocks of the city of the Manhattos.

After so long in one place and so isolated from so many, it was hard to even plan to travel. We seemed to have forgotten how to travel, how to pack, plan. We finally overcame our hesitancy and left the city behind.

But we didn’t start out with great ambition, we were just going to see old friends and family in mostly familiar territory.

Except Texas.

My experience of Texas has mostly been trying to get from one side of the state to the other as fast as the law allowed. And the old Mac Davis song had been mostly true for me—“happiness is Texas in my rear view mirror.”

Growing up in Kansas I had enough of flat monotonous land that goes on forever with grain silos to mark the small towns along the railroads. But my childhood friend Louis and his husband, Sterling, who had performed the wedding of Rosy and myself, had moved to San Antonio the year before and had invited us to their new home.

We had a great time even in the hot days of summer. We went for walks and went sightseeing either in the mornings or later in the evenings. Of course the museums and indoor spaces are chilled to Alaska temperatures.

https://brochmann.com/texas-2021/

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Memories and Photography

Dad and the Citroen I have note books full of negatives and transparencies in all formats: 35mm and 6×6 in black and white and transparencies, 4x5s, 8x10s. Some are tests when I was trying to build a portfolio and outtakes from jobs. It is all more or less forgettable or embarrassing. But there are many pictures of people and places that ignite memories of lost times and people. The emotions and feelings that have not been visited in a long time can come roaring back. Memory is weird. Sometimes the memory of a place or person is replaced in the mind by a photograph of that place or person. This is especially true when that person is gone. This place is village in the Alpes Maritime above Antibes and Juan les Pines. My dad lived there in the fall as a refuge from Norway and family drama to write and have the friends he loved visit him. The two things he loved to do was to walk around the port and see the boats and talk to the wharf rats and fisherman and to drive deep into the country-side and get lost on obscure roads. The day this was taken, in late fall, we drove up to one his favorite villages. There was one restaurant, which was closed when we got there. He explained that most people there work for the government maintaning the road that gets one there. I have very little memory of the town itself, but this photograph is what is burned in my memory and reminds me of the time we spent together as the cancer that was slowly eating away his back the rest of him marched on. This was not the last time we saw each other, but it was the last year that he was able to get around as he wanted. This image was a 6×6 transparency that I scanned on a flatbed scanner that is probably 20 years old. The blue channel was messed up, but I got something useable out of it. Making it sharp was hard, but after three or four tries I it got to be at least reasonably sharp. More on scanning to come.

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Macro photos on the cheap

These were taken with a standard kit zoom lens, in this case a Fuji xf 18-55 lens, with an extension tube that allowed close focus. I have a set of cheap extension tubes of 11mm and 14mm from a generic Chinese source, JJC. This technique of using a zoom lens with an extension is not considered best practice, but it works. I printed the left image as a card at 5×7 and it looks very good.
 I sold my Canon 100mm macro and the and the adapter for it to mount it to Fuji cameras. I thus reduced my travel kit for macro photography from carrying an extra lens and adapter to carrying around two very small tubes.

close up of flower
Close up of flower taken with kit zoom and 11mm extension tube
Macro photography has a very narrow depth of field

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My New Series of Postcards

During the pandemic I spent a lot of time in Central Park enjoying being out of the apartment and being very socially distant in a space that had very few people. One of my joys was riding my bide around the 6 mile loop through the park. But I also carried a camera with me and I would stop and walk around for a while and take some pictures. In the past weeks I have gone over these images and find I have a lot, especially of the spring. The spring of 2020 occurred in the middle of the worst times for New York City. I biked past the oxygen trailers giving off clouds of condensate vapor and the morgue trailers parked on the street. But nature did not care. Spring last year was a riot of color and surging new growth. Being there gave hope on one hand, but on the other, it was harsh to know that nature doesn’t care—life goes on regardless.

But this spring feels more hopeful and looking at my images from this year and last I realize that there are some good ones and I wanted to do something with some of them. As many people know, I have over the last 20 years made a seasonal card from a Polaroid transfer. The project might be coming to an end or at least in its current form as 4×5 Polaroid is unavailable to me. More on that later. But with the seasonal images of Central Park I have decided to make a series of cards for Spring, Fall and Winter. I plan to do them in groups of four, and the first set is done. One of them is shown back and front. The inside is blank for notes. And they will envelopes.

So stqy tuned for more. I will post just the images without the text on the back to Instagram. Go to: https://www.instagram.com/kbroch77/ to see my posts, or go the the front page of my site. brochmann.com

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It’s been a long journey

From East 3rd Street to 77th Street. Almost 40 years and I am still here. There is a nostalgia for the days of film now, and here is an image on Kodachrome taken from my apartment back in 1982. I had no idea how it would turn out, and I wouldn’t know until I went uptown and had if processed. A courier would pick up the film from the lab in the “Photo District,” now the “Flatiron District,” and take it to New Jersey somewhere where Kodak had its lab. Several days later, unless you paid for rush service, you would see the film.

I am not nostalgic for those days when you had to wait for the lab before you could strike the set and move on to the next shot. Now you shoot it, show it, change it, shoot again, everyone loves it—next.

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